the time always comes

"I may disagree with what you say, but I will defend to the death your right to say it."

Wednesday, May 28, 2008

Bill Henson. My take.

I am hopeless at getting my opinion out there while issues are still topical, partly because I want to make sure I can stand behind what I've written, and partly because I'm a waffling old bore.

So my take on this issue has to be presented in point form, though even my 'points' can be rather long:

Many of the commentators condemning Bill Henson's work are using the 'art is subjective' line to defend their lack of understanding of it. I agree that art is subjective, but the laws governing artist freedoms should not be. It's quite a leap to go from saying you dislike Henson's art to calling for it to be banned. In my opinion saying that you find his work 'revolting' or even plain dull is acceptable. Calling for censorship based on that subjective opinion is absolutely not.

Again on the matter of subjectivity - whose subjectivity? If we are to follow that to its logical conclusion we start to see every image through the hellish prism of paedophilia rather than our own eyes. I look at Bill Henson's photos and I see nothing sexual, therefore nothing obscene. As one lawyer noted, there is no consent issue. After all, what is the girl consenting to? There has been no violation, no sexual act. It is a simple representation of the human body, the inspiration for art throughout the ages. What does it say about our society that we see sex in everything and beauty in nothing? Have we devolved over the centuries to become less complex and perceptive than Caravaggio, who lived over 500 years ago?

I'm dismayed by the uncritical thought and scent of hypocrisy around this debate. I am so tired of seeing everything in our culture reduced to the lowest common denominator knee-jerk Herald Sun reaction. Unsurprisingly, 70% of Hun readers think the photos constitute pornography, and it's this public reaction (skewed sample of the public though it is) that seems to be driving the foam-mouthed, torches-and-bayonets pursuit of Henson, spearheaded by our very own moral thermometer - the PM.

Really, who cares what these folk think when they're being spoonfed their reflected outrage by the Hun itself? Are we becoming a nation governed by straw polls and market research over reasoned discussion and analysis? I suspect most Hun readers also believe in meting out the death penalty to those who express views contrary to their own. But that's why they're not in government. Or are they?

And do these people calling for Henson to be charged with obscenity feel irked about our highly sexualised culture as a whole - the presence of Sexyland on every high street, midriff tops and g-strings for little girls sold in Target, or the inescapable billboard exhortations to 'have better sex' on every freeway? No. As usual, artists and thinkers are being targeted while the real exploiters and manipulators - of children and of the minds of the public - advertise within the very pages onto which this public opprobrium is spilled.

I don't think you need to know about art to know that further censorship of art in a society which already spurns and sidelines art for more pressing and lucrative concerns such as sport and celebrity trivia is wrong. As wrong as you can get.

6 Comments:

Blogger Russell Blackford said...

To be fair, some of these people who are condemning Bill Henson probably also condemn the other things you mentioned, such as the supposed sexualising of public spaces and sexualisation of children. Personally, I think that both of these phenomena are greatly exaggerated.

To take the second one, kids love playing dress-ups, in a kind of rehearsal for adult life. The adult world is alluring to them, but they don't comprehend their dress-ups as sexual, and I really do wonder at the mentality of the commentators who insist on construing them in that way. As with so much else, I think the debate gets distorted by an overhang of irrational shame and anxiety (and sheer prudishness) about human bodies and about sexuality itself.

As for the sexualising of public spaces ... you know, last year when I read something condemning this I went around every day for a considerable number of days (a week or two) looking at every image I could see in public spaces - roads, shopping centres, airport terminals, university campuses, etc. - to test it out. You know what I found? I discovered that, apart from the porno and semi-porno magazine racks in newsagencies and convenience stores, the number of images in public spaces that could reasonably be considered sexual is so tiny as to be pretty much negligible. Do the experiment yourself. I found that I could drive and walk around for days, doing my various tasks, without encountering any significant number of images that could reasonably be counted in that way. Unless you include the covers on the magazine racks, the supposed "problem" proved to be hugely exaggerated.

I don't know what that tells us about the mentality even of supposedly progressive thinkers who make such a fuss about this.

You may disagree with these points, but in any event the images created by Bill Henson are by no stretch of the imagination pornographic and the context is not sexual in any way that could possibly be what the law was intended to forbid. The Henson images are just not the sort of mischief that child pornography legislation is aimed at.

4:27 pm  
Blogger susanna said...

Russell - firstly, thanks for stopping by and providing a reasoned and interesting response. I don't think my blog has ever been the site of a comment of that length!

I take your point about the sexualisation of children and public spaces perhaps being the subject of a little too much hand-wringing, but as for your experiment... well, we must frequent very different suburbs.

A day doesn't pass when I am not subjected to 1. the SBS commercial with the two blokes playing the duet 2. the billboard asking men if they want more sex/for longer 3. a Spearmint Rhino advertisement with an inflatable-looking woman 4. a sex shop on an ugly highway.

But then, I have the same objections to McDonalds and Bunnings outlets. It's not a moral quibble. It's an aesthetic one. I'm sick to my back teeth of these ugly places - and they're invariably placed in the depths of the outer, poorer suburbs. I suppose they think there's easy prey out that way, but people are smarter than that - they're inured to it. I know because my parents, who live in one such suburb, don't seem to notice it at all.

11:30 pm  
Blogger mskp said...

perfect. absolutely perfect expression of my views [much more eloquent than any of my unpublished attempts]. rudd et al can be "revolted" all they bloody well like, there is no case to answer here. except possibly the gallery and henson himself would have a pretty good shot at defamation, i'd reckon.

thanks, doll...x

10:07 pm  
Blogger Unknown said...

dear ms k - thank you. i feel irrationally puffed up and proud that you agree with me!

10:37 pm  
Blogger heroverthere said...

Sorry, I'm a little slow off the mark here, lovely post, much to think about. I was especially interested in that notion of consent you pointed out - I hadn't thought about it like that, the idea that as soon as we push the issue of consent (in terms of Henson's subjects) we force them to, in effect, agree that they have been 'abused'. The one thing I just can't get over is how much more damage this must be doing to the kids now ...

8:08 pm  
Blogger Melanie Myers said...

That was really well articulated and thought out - a good read. I haven't weighed into this one at all and I'm not sure I actually even have an opinion. Guess I feel I haven't seen enough of Henson's offending photographs to comment. You're definitely right about the eye-of-the-beholder (or thoughts) being the issue here, though.

8:39 pm  

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